Meticulously crafted for Academy Award-winner and explorer Jimmy Chin
The Terra Nova Jimmy Chin 42.5mm Chronograph in 904L steel and rose gold is a perfect reflection of Jimmy Chin’s multifaceted character. Marrying athleticism and creativity, this robust yet elegant timepiece features a striking bi-colour design, with warm rose gold accents on the bezel, crown, and chronograph pushers that contrast beautifully with the steel case. Its black dial is adorned with rose gold sub-dials in a reverse panda layout, light brown full-block Super-LumiNova® numerals for enhanced visibility, and golden hands, adding a refined touch of warmth and sophistication. The central red chronograph hand pays homage to Chin's heritage, referencing the red lacquered details in his photography.
Limited to just 100 pieces, this chronograph is as much a work of art as it is a tool of precision. The watch features an exhibition case back decorated with an evocative image of the Teton mountain range, a personal and meaningful symbol for Chin as it is his second home in Wyoming and his local proving ground. This limited edition comes housed in an elegant wooden display box, accompanied by a standard edition of Chin's alpine photography book, There and Back: Photographs from the Edge. Together, these elements make this watch a true collector’s item.
Specifications
- Satin & polished 904L stainless & 18k rose gold case
- 42.5mm diameter (14mm thick, 48mm lug-to-lug)
- Exhibition caseback, decorated with an image of the Teton mountain range
- Bi-directional rotating bezel with ceramic insert
- Movement: BE-50AV Automatic with 56H power reserve
- Chronometer rated to ISO 3159 standard
- 100m water resistance
- Anti-reflective sapphire crystal
- Full Super-LumiNova® block numerals
- Quick release Nubuck leather strap with stainless steel pin buckle
- Limited edition: 100 individually numbered pieces
- Includes exclusive wooden display box, accompanied by a standard edition copy of Jimmy Chin’s book of alpine photography ‘There and Back: Photographs from the Edge’
